CMS Workshops

All workshops are open to musicians of all backgrounds & ages. 

Please contact [email protected] with any questions.

Where and When

Every last Saturday of the month (Feb 21, March 28, April 25, May 30), 1-3pm at Handbell Studio (suite 118) in The Shirt Factory (77 Cornell St, Kingston, NY), $25-100 Suggested Donation

Description

Join multimedia composer-improviser Aliya Ultan every last Saturday of the month at the Shirt Factory in Kingston, NY to explore how your creative practice can evolve through interdisciplinary collaboration. Dancers-movers, poets, painters, and musicians are invited to participate in this comprehensive monthly event educating and celebrating the collective. Topics will be discussed alongside prompts for solo and group improvisation closing with a group reflection. 

All ages (children must be under the supervision of a caregiver), 

All disciplines (dance, poetry, visual art, etc…)

All levels (beginner to advanced)

Workshop 1 Outline:

Discussion topic: Intermedia; strategies of interdisciplinarity that occur within artworks existing between artistic genres

Workshop/jam topic: Conduction; a practice of large ensemble improvisation where visual cues generate content

Tech Needs

Backline provided (drum set, piano, PA, guitar amps, and 2 vocal mics). Acoustic is preferred but we can accommodate you either way. 

Please contact [email protected] with any questions. 

Bio

Based in New York, composer-performer Aliya Ultan—known as the Nocturnal Cellist—utilizes her instrument as a raw, multi-sensory medium that bridges orchestral elegance with experimental multimedia exploration. Her diverse career spans collaborations with luminaries like John Lurie of the Lounge Lizards and Tyshawn Sorey, performances at premier venues such as Carnegie Hall and the Blue Note, and a Broadway run with Hadestown. Classically trained at the Oberlin Conservatory and Wesleyan University, Ultan’s creative reach extends into film, circus, and theater, earning her commissions from International Contemporary Music Ensemble, the Banff Centre for Arts and Creativity, and Roulette Intermedium. Whether she is exploring psychosomatic frequencies in her solo work or co-conducting the Creative Music Studio’s Improvisors Orchestra, Ultan consistently breaks genre boundaries, merging myth, herbalism, and vibrational healing into a singular, cathartic sonic language.

Past Workshops

November 16: Workshops with Shara Lunon & Miriam Elhaji
Ibeam, 168 7th St, Brooklyn, NY

Open to musicians of all backgrounds & ages. Sliding scale.

Past Workshops

October 12: Workshops with Alex Zhang Hungtai and Ryan Easter
Ibeam, 168 7th St, Brooklyn, NY

Open to musicians of all backgrounds & ages. Sliding scale.

cms workshop

Improvisation Workshops
with Amirtha Kidambi, Farida Amadou & Luke Stewart
Sunday, June 29 12pm-4pm

A day of improvisation workshops from CMS on June 29 located at Ibeam in Brooklyn with three LUMINARY ARTISTS! Workshops are open to musicians of all backgrounds & ages. Please contact [email protected] with any questions.

Amirtha Kidambi is invested in the creation and performance of subversive anti-hegemonic music, from free improvisation and avant-jazz to experimental bands, noise and new music. She is an educator, activist and organizer working to challenge systems of white supremacist, colonial, capitalist, and patriarchy, and is co-founder and co-organizer of South Asian Artists in Diaspora and Musicians Against Police Brutality. https://www.amirthakidambi.com/

Farida Amadou is a self-taught musician and performer based in Liège, Belgium. The electric bass has been her main instrument since 2011. In 2013, she started playing many different genres of music, including blues, jazz and hip-hop. Consistently named as one of the most remarkable new stars of the European free and improv scene, Amadou extracts the most exciting sounds from her Fender bass without losing sight of musicality. She has proven herself (inter)nationally in challenging collaborations with such luminaries as free jazz pioneer Peter Brötzmann and Sonic Youth’s Thurston Moore. https://faridamadou.com/

Luke Stewart is a musician, performer, improviser-composer, organizer, and writer-researcher whose work represents a deep reverence for the history and tradition of Creative Music: a tradition which encompasses the diverse styles of expression within the body of Black Music in the United States, Africa, and throughout the world. Stewart’s regular ensembles include Irreversible Entanglements, SILT Trio, Exposure Quintet, and the experimental rock duo Blacks’ Myths; he also performs regularly in numerous collaborations. https://thelukestewart.com/

Backline provided (drum set, piano, PA, guitar amps, bass amps) and support with amplification if necessary! Acoustic instruments/voices of course super welcome!

Rhythms & Expressions Workshop with Dafnis Prieto​

loove may 31 (1)

Join CMS at Loove Annex for a workshop by the masterful Dafnis Prieto, curated by Peter Apfelbaum. Learn how to develop rhythmic skills include: syncopation, displacement, independence, interaction, and improvisation. The workshop will focus on examples from Prieto’s book “Rhythmic Synchronicity.”

Workshops with Joanna Mattrey &
Zekkereya El-Magharbel • March 9 at Ibeam, Brooklyn

Arab Music and Contemporary Identity
with Zekkereya El-Magharbel, 12-2 PM

This workshop will include a survey of music from across the Arabic world, as well as a critique on the development of these musics in pursuit of independence from colonial power. There will also be an ear training/performance component for participants to learn some of the basics of Arabic melodic theory (Arabic Maqam).

Personal Style & Modes of Inquiry
with Joanna Mattrey, 3-5 PM

Using scores, exercises, and discussion, we will work through improvisation processes that highlight our individual curiosities and reactions, using those insights to generate a personal language.

Zekkereya El-Magharbel is a trombonist, visual artist, and theorist currently based in Ann Arbor. They’ve been a member of the Pan Afrikan Peoples Arkestra for over a decade and have worked with such luminaries as Angel Bat Dawid, Jaimie Branch, Moor Mother, Kierra Sheard, Wendell Harrison, Amir El Saffar, Tyshawn Sorey, and many others. Their current work is about researching traditions from across Northern Africa and drawing parallels with Great Black Music in the states.

Joanna Mattrey is a violist and composer working in free improvisation, new music, and classical music. She uses extended techniques, modern compositional approaches, and electronic alterations to challenge the conventions of the viola. Joanna creates an embodied performance practice centered on ceremony and ritual. Recent solo works include, ‘Soulcaster’ (Notice Recordings), ‘Dirge’ (Dear Life Recs 2021), ‘Veiled’ (Relative Pitch Records, 2020). Mattrey has had residencies with Roulette, Watermill, ISSUE Project Room, Banff, 14th Street Y, Wild Project, and MoMa PS1’s ALLGOLD. Mattrey has performed with icons Tyshawn Sorey, Henry Threadgill, Miya Masaoka, Marc Ribot, gabby fluke-mogul, John Zorn, Billy Martin, Elliott Sharp, the International Contemporary Ensemble, Crash Ensemble, and Irish National Opera. www.joannamattrey.com

Workshops with Zeena Parkins &
HxH • March 23 at Figure 8, Brooklyn

The Continuous Presence Or Navigating our Infrastructure The Morphology of Free Improvisation with Zeena Parkins, 3-5 PM

Open to improvisers: some experience helpful- all instruments welcome
Listening and Energetic Awareness to all details through the continuous presence. Interoception tracks our internal states, sonic movements, grand gestures, minuscule moments, balance, out of balance, intuition, focal points, to articulate our sense of place, locating our horizon line in improvisatory circumstances…

Stark Phenomena with HxH, 6-8 PM

In this workshop with HxH, we’ll dive into approaches of augmenting instruments, voices and various sound sources via Ableton Live and the use of pedals. We ask that you bring in tracks / field recordings / instruments etc for experimentation and be curious about electroacoustic improvisation.Cellist Lester St. Louis and trumpeter Chris Williams are the electroacoustic duo HxH (as in “H by H”). Together, they blend acoustic sound, grainy electronics, breaks, cuts, and beats into a kind of expansive, post-techno experimentalism that unfolds with a sense of limitless possibility.

Zeena Parkins is a harpist, composer, improviser, educator who has valued collaboration as a primary component of her sonic practice and experiences. She has worked extensively with filmmakers, writers, and choreographers. She taught at SMFA in Boston, and for many years at Mills College in Oakland , CA. Currently Parkins is visiting faculty at Bennington College in Vermont and this spring will be working with students from the Luzern University of applied Sciences and Arts in Switzerland. Zeena has performed and/or recorded with Bjork, Ikue Mori, William Winant, Laetitia Sonami, Pauline Oliveros, Butch Morris, John Zorn, Yoko Ono, Fred Frith, Elliott Sharp, Nels Cline, Magda Mayas, Tony Buck, Ryan Sawyer, Brian Chase, Craig Taborn, Sussana Silva Santos, the Eclipse Quartet, TILT BRASS, Shayna and Nava Dunkelman, gabby fluke-mogul and Denis Charles. Zeena is working with electronocist Matthew Ostrowski on Tejedura, (inspired by the wire constructions and paper weavings of Venezuelan visual artist, Gego) a new instrument system built in MAX that will explore the weft and warp of her sonic materials, expand and diffuse her improvisatory compositions on the electro-acoustic harp.

Lester St. Louis (b.1993) is a New York born and based Composer, Improviser, Cellist, Sound Designer, producer and Curator. His work traverses through performance, installation, curation, artistic research and recording. His works are rooted in dynamic environments of improvisation both sonically and socially, ecstatic sound worlds, interaction and flow. He has performed internationally throughout The U.S, The E.U, Canada, China and South America. Lester has performed, recorded and produced with artists such as Chris Williams [under the moniker HxH], edi kwon, jaimie branch, Rob Mazurek, Don Byron, Pheeroan Aklaff, Shahzad Ismaily, Moor Mother, Lukas Koenig, Ben Lamar Gay, Lea Bertucci, Miho Hatori, Dre A. Hočevar, Ash Fure, Charmaine Lee, Yo La Tengo, Yaeji, Isabel Crespo Pardo, Irreversible Entanglements, TAK Ensemble, The International Contemporary Ensemble, Found Sound Nation, Wet Ink Ensemble, Alarm Will Sound, Carig Taborn, Immanuel Wilkins and many more. As a composer, Lester has been commissioned by artists such as The JACK Quartet, RAGE THORMBONES, Jennifer Koh, String Noise and Ghost Ensemble and most recently International Contemporary Ensemble among others. Lester has collaborated with visual artists such as Terrence Nance, Torkwase Dyson, Fields Harrington, Ephraim Asili, Random International, Atelier Impopulaire, William Pope. L, Lilleth Glimcher, Emeka Okereke and Superblue.

Chris Ryan Williams is an interdisciplinary artist and musician based in Brooklyn, NY. His work takes the form of electroacoustic composition and performance installation and deals with decoding family history, ambience, and time-space compression. His debut EP ‘Live’ received praise from Jazz Right Now and The Quietus for “dazzling collaged pieces that ricochet between improvised passages and written material” (Peter Margasak, The Quietus). He has toured extensively throughout the U.S. and Europe, has been commissioned by WasteLAnd and International Contemporary Ensemble. He has been in residence with BANFF Centre for the Arts, Foundation of Contemporary Arts, Atlantic Center for the Arts, Musik Installationen Nürnberg and is 2023 American Composers Forum Fellow and 2024 Hermitage Artist Retreat Fellow. He has collaborated with creators including Eyvind Kang, Patrick Shiroishi, Bennie Maupin, Nicole Mitchell, Imani Dennison, Wendy Eisenberg, Luke Stewart, Pink Siifu, and Marjani Forte-Saunders.

Williams also has an ongoing collaboration with cellist Lester St. Louis under the moniker HxH, a duo which has “embraced the challenge of bringing laptop instrumentalism into a wide personal world by making sounds that are at once art-minded and accessible, and true to the tenets of spontaneous composition and “social music,” (Piotr Orlov, Pioneer Works)